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A Writer’s Journey: From Stargazer to Chronicler and Back. Updated.

December 9, 2013 By tonypiazza 4 Comments

A Writer’s Journey: From Stargazer to Chronicler and Back. Updated.

 

By Tony Piazza

The San Francisco bay area has played host to a number of motion picture and television production companies over the years. Why? A cinematographer once told me that San Francisco with its’ numerous hills and magnificent views of the bay made it the second most photographed city in the world, with Rome being awarded the first. I would like to add is a former citizen, both born and raised there, that San Francisco, with its Barbary Coast history, dark foreboding alleys, and fog-shrouded streets was chosen by production companies because it provided the perfect backdrop for their films dealing in crime, detection, and mystery. A few motion pictures that come to mind is D.O.A, Dark Passage, The Lady from Shanghai, The House on Telegraph Hill, and most notably The Maltese Falcon. Author Dashiell Hammett had his roots in the city, and even though Nick Charles’s first case for The Thin Man was in New York, its movie sequel landed the detective, wife Nora, and dog Asta with relatives in the bay area. Television also viewed San Francisco as a prime candidate for their crime series; San Francisco Beat a.k.a., The Lineup and Sam Benedict being two early examples.

 

 

I was extremely fortunate as a youth and young adult to share in this history. My father was a San Francisco police officer who was assigned back in 1959 to act as liaison to visiting film companies. He provided security, crowd and traffic control, technical advice- in essence, anything that involved the logistics of assisting with their film production. He worked closely with directors searching out locations and with stunt coordinators orchestrating car chases.  This assignment gave my mother and me under the rope access to these productions and the unique opportunity to meet stars, directors, and technicians. He did this for seventeen years, and in the process made a name for himself. I eventually became directly involved in the 1970s, working as an extra, stand-in, and bit actor. Signed with the largest of the modeling/casting agents- the Brebner Agency, I was given opportunities to work on such shows as Magnum Force, The Streets of San Francisco, and The Enforcer, and becoming friends with the likes of Clint Eastwood, Karl Malden, and Michael Douglas. It was quite a surreal experience for a man in his early twenties. When I sat in theaters or watched television I saw myself up on the screen opposite these great ones. Even today, when I sit down and pop a DVD of Streets into my player I’m not just watching a show, but reliving memories. It’s like viewing home movies.

Working on “Magnum Force”

My first recollection of being on a film location was in the late fifties. I was taken by my mother to Candlestick Park to visit my dad on the set of Experiment in Terror. The film starred Glenn Ford, Lee Remick, and Ross Martin. Somehow during our visit, we ended up being an extra in the audience at the ballpark under the direction of Blake Edwards. What a thrill, but I didn’t really understand that then. As an inquisitive four-year-old, I was just confused why we were cheering for a ball team that wasn’t there.

As time passed, however, I did become more cognizant of events around me, and totally appreciative of the opportunities that my dad’s associations brought me. I got to meet my heartthrob Ann Margret filming Once a Thief, visit with the very cool Steve McQueen at San Francisco General Hospital on location for Bullitt, joke around with Raymond Burr and the cast of Ironside, and nearly bought the car that Dirty Harry Callahan (Clint Eastwood) drove in the film of that same name. And although I was too young when the Master of Suspense, Alfred Hitchcock filmed Vertigo, I did see him later on the set of his last film, Family Plot.  Marching down the center aisle of Grace Cathedral on his way to his director chair, Hitch red-faced, and huffing and puffing reminded me of an Archbishop on his way to conduct mass. Later, when I became part of the crew of The Streets of San Francisco (initially as a stand-in for Michael Douglas and then Richard Hatch) I was able to live out my childhood fantasies, by playing cops and robbers right up there on the screen. Not too many young men can say that. I also had the privilege to visit with Steve McQueen again on Towering Inferno and be invited for a drink “with the guys” by Paul Newman.

 

 

For many years, I’d shared these stories with a select few- family, friends, and co-workers, and dusted off my photograph album occasionally for those who might be interested. But, as time went by and gray hairs started sprouting on my head I started thinking about leaving a legacy. With no children to relate my stories, I was afraid that there wouldn’t be anyone left to pass on the unique history that my family was a part of. It was at that moment in my life and in this mindset that I discovered the Turner Classic Movie site, and was introduced to blogging. Presented here was a new venue to tell my stories to interested individuals- and fascinated they were. Quite frankly I was surprised by their response and amazed at the audience which I quickly developed. I had to shake my head, and tell myself that I really had fans, and not just of local friends, but members that stretched around the globe!

 

 

 

 

We’ve all heard the phrase, “be careful what you wish for,” that certainly applied here, for now, I was expected by my audience to supply regular postings. To fill in-between the stories of my experiences- for ones’ memory can be limited at times, I decided to see how my audience would accept my attempts at writing fiction. My first book, “Anything Short of Murder”- a hardboiled detective thriller set in the Hollywood(land) of the 1930s was the result and became an instant hit amongst the TCM audience. It was their e-mails and messages that convinced me to publish the story from its serialized form into a complete novel. Now some four books later- and working on a fifth, all this has become history. In addition, as a writer, I’ve branched off to form my own author’s site where at last count I share some one hundred plus posts of my film and television experiences. I also published a memoir in e-book length, “Bullitt Points,” the story of my meeting Steve McQueen and a personal account of the making of Bullitt. This experience brought me full circle, for all the proceeds from the purchase of the book goes to McQueen’s charity, The Boys Republic, and that allowed me to once again enter the celebrity circle and meet Steve’s son, Chad McQueen.

 Tony Piazza and Chad McQueen

A year later we met again when I was invited to speak about Bullitt at its’ 45th Anniversary event in San Francisco.  Chad was the guest of honor- there to accept a proclamation from the city to honor his dad. In every aspect, the celebration was a real thrill!

Chad-Piazza

Chad McQueen and Piazza

—————————-

Reflecting back over the last few years I find it amazing how much I’ve accomplished in my writing career. I don’t take credit for it. For what success I’ve had, had more to do with the blessed opportunities given me, and the blood, sweat, and long, tiring devotion that my dad had put into his work. I’m just a storyteller relating his own special tale. My only regret is that my dad couldn’t have been here to share in the joy that the telling and sharing of them has brought me.

Every writer has his or her story to tell. It’s a journey that doesn’t start with fingers on a keyboard, but with the first breath taken in life. Experiences to me as a writer are what bricks are to a mason. I use them to build stories that I hope will leave a lasting impression on my reader’s minds.

MainEventConceptSepia copy

 

thumb[1] (Owner-PC's conflicted copy 2014-11-24)

 

 

For more celebrity posts by Tony Piazza go to:

www.authortonypiazza.com

 

 

To help the boys at The Boy’s Republic, and read more about my experiences meeting Steve McQueen:

www.bullittpoints.com . Also available on Amazon & B&N websites.

 

 

About the author:

Tony Piazza is a Central Coast mystery writer, film historian, presenter, and a veteran storyteller well-known for his passion for writing and movies.

He is the author of five mystery novels, “Anything Short of Murder”, “The Curse of the Crimson Dragon,” “A Murder Amongst Angels,” “Murder is Such Sweet Revenge,” and “Murder Will Out” available in print and e-book format through Amazon and Barnes & Noble websites. Piazza’s non-fiction e-book, “Bullitt Points,” published through SansTree, provides a behind-the-scenes look at the making of the classic Steve McQueen movie “Bullitt” and the involvement of the Piazza family in the production.

Piazza worked regularly as an extra and stand-in on multiple Hollywood movies and television shows shot in San Francisco during the 1970′s, including “Towering Inferno,” “High Anxiety,” “Magnum Force,” and “Streets of San Francisco.”

His inventory of stories reads like a Who’s Who of Hollywood from that era: Clint Eastwood, Steve McQueen, Darren McGavin, Paul Newman, Karl Malden, Michael Douglas, Raymond Burr, Walter Matthau, Fred Astaire, Robert Vaughn and Leslie Nielsen.

Piazza is a member of Sisters in Crime, Mystery Writers of America, and SLO Nightwriters.

 

COMING SOON, the audiobook of “Murder Will Out,” read by Broadway actor, James Romick. Watch for it.

 

#SteveMcQueen, #Bullitt, #Bullitt50thAnniversary, #Alfred Hitchcock, #ClintEastwood, #MelBrooks, #FredAstaire, #DirtyHarry, #MagnumForce, #ToweringInferno, #PaulNewman, #RaymondBurr, #MichaelDouglas, #RobertVaughn. #LeslieNielsen, #GlenFord, #JamesStewart

Filed Under: Film and Television Tagged With: A Murder Amongst Angels, Alfred Hitchcock, Ann Margret, Anything Short of Murder, Asta, Author Tony Piazza, Blake Edwards, Bullitt, Bullitt Points, Chad McQueen, Clint Eastwood, D.O.A., Dark Passage, Dashiell Hammett, Dirty Harry, Experiment in Terror, Family Plot, Fred Astaire, Glenn Ford, High Anxiety, Ironside, James Stewart, Karl Malden, Lee Remick, Leslie Nielsen, Magnum Force, Mel Brooks, Michael Douglas, Nick and Nora Charles, Once a Thief, Paul Newman, Raymond Burr, Robert Vaughn, Sam Benedict, San Francisco Beat, San Francisco movie locations, Sisters in Crime, SLO Nightwriters, Steve McQueen, The Curse of the Crimson Dragon, The Enforcer, The House on Telegraph Hill, The Lady from Shanghai, The Lineup, The Maltese Falcon, The Streets of San Francisco, The Thin Man, The Towering Inferno, Towering Inferno, Vertigo

A Writer's Journey: From Stargazer to Chronicler and Back . By Tony Piazza

September 18, 2012 By tonypiazza 2 Comments

A Writer’s Journey: From Stargazer to Chronicler and Back.

 

By Tony Piazza

 

The San Francisco bay area has played host to a number of motion picture and television production companies over the years. Why? A cinematographer once told me that San Francisco with its numerous hills and magnificent views of the bay made it the second most photographed city in the world, with Rome being awarded the first. I would like to add being a former citizen, both born and raised there, that San Francisco, with its Barbary Coast history, dark foreboding alleys, and fog shrouded streets was chosen by production companies because it provided the perfect backdrop for their films dealing in crime, detection, and mystery. A few motion pictures that come to mind is D.O.A, Dark Passage, The Lady from Shanghai, The House on Telegraph Hill, and most notably The Maltese Falcon. Author Dashiell Hammett had his roots in the city, and even though Nick Charles’s first case for The Thin Man was in New York, its movie sequel landed the detective, wife Nora, and dog Asta with relatives in the bay area. Television also viewed San Francisco as a prime candidate for their crime series; San Francisco Beat a.k.a., The Lineup and Sam Benedict being two early examples.

 

 

I was extremely fortunate as a youth and young adult to share in this history. My father was a San Francisco police officer who was assigned back in 1959 to act as liaison to visiting film companies. He provided security, crowd and traffic control, technical advice- in essence anything that involved the logistics of assisting with their film production. He worked closely with directors searching out locations and with stunt coordinators orchestrating car chases.  This assignment gave my mother and I under the rope access to these productions and the unique opportunity to meet stars, directors, and technicians. He did this for seventeen years, and in the process made a name for himself. I eventually became directly involved in the 1970s, working as an extra, stand-in, and bit actor. Signed with the largest of the modeling/casting agents- the Brebner Agency, I was given opportunities to work on such shows as Magnum Force, The Streets of San Francisco, and The Enforcer, and becoming friends with the likes of Clint Eastwood, Karl Malden and Michael Douglas. It was quite a surreal experience for a man in his early twenties. When I sat in theaters, or watched television I saw myself up on the screen opposite these great ones. Even today, when I sit down and pop a DVD of Streets into my player I’m not just watching a show, but reliving memories. It’s like viewing home movies.

 

   My first recollection of being on a film location was in the late fifties. I was taken by my mother to Candlestick Park to visit my dad on the set of Experiment in Terror. The film starred Glenn Ford, Lee Remick, and Ross Martin. Somehow during our visit we ended up being an extra in the audience at the ballpark under the direction of Blake Edwards. What a thrill, but I didn’t really understand that then. As an inquisitive four year old I was just confused why we were cheering for a ball team that wasn’t there.

   As time passed however I did become more cognizant of events around me, and totally appreciative of the opportunities that my dad’s associations brought me. I got to meet my heartthrob Ann Margaret filming Once a Thief, visit with the very cool Steve McQueen at San Francisco General Hospital on location for Bullitt, joke around with Raymond Burr and the cast of Ironside, and nearly bought the car that Dirty Harry Callahan (Clint Eastwood) drove in the film of that same name. And although I was too young when the Master of Suspense, Alfred Hitchcock filmed Vertigo, I did see him later on the set of his last film, Family Plot.  Marching down the center aisle of Grace Cathedral on his way to his director chair, Hitch red faced, and huffing and puffing reminded me of an Archbishop on his way to conduct mass. Later, when I became part of the crew of The Streets of San Francisco (initially as a stand-in for Michael Douglas and then Richard Hatch) I was able to live out my childhood fantasies, by playing cops and robbers right up there on the screen. Not too many young men can say that.

 

 

For many years, I’d shared these stories to a select few- family, friends, and co-workers, and dusted off my photograph album occasionally for those who might be interested. But, as time went by and gray hairs started sprouting on my head I started thinking about leaving a legacy. With no children to relate my stories I was afraid that there wouldn’t be anyone left to pass on the unique history that my family was a part of. It was at that moment in my life and in this mindset that I discovered the Turner Classic Movie site, and was introduced to blogging. Presented here was a new venue to tell my stories to interested individuals- and fascinated they were. Quite frankly I was surprised by their response and amazed at the audience which I quickly developed. I had to shake my head, and tell myself that I really had fans, and not just of local friends, but members that stretched around the globe!

 

 

We’ve all heard the phrase, “be careful what you wish for,” that certainly applied here, for now I was expected by my audience to supply regular postings. To fill in-between the stories of my experiences- for ones’ memory can be limited at times, I decided to see how my audience would accept my attempts at writing fiction. My first book, “Anything Short of Murder”- a hardboiled detective thriller set in the Hollywood(land) of the 1930s was the result, and became an instant hit amongst the TCM audience. It was their e-mails and messages that convinced me to publish the story from its serialized form into a complete novel. Now some three books later- and working on a fourth, all this has become history. In addition, as a writer I’ve branched off to form my own author’s site where at last count I share some sixty-three posts of my film and television experiences. This year I also published a memoir in e-book length, “Bullitt Points,” the story of my meeting Steve McQueen and a personal account on the making of Bullitt. This experience brought me full circle, for all the proceeds from the purchase of the book goes to McQueen’s charity, The Boys Republic, and that allowed me to once again enter the celebrity circle and meet Steve’s son, Chad McQueen.

 Tony Piazza and Chad McQueen

A year later we met again, when I was invited to speak about Bullitt at its’ 45th Anniversary event in San Francisco.  Chad was the guest of honor- there to accept a proclamation from the city to honor his dad. In every aspect the celebration was a real thrill!

Chad-Piazza

Chad McQueen and Piazza

—————————-

Reflecting back over the last couple of years I find it amazing how much I’ve accomplished in my writing career. I don’t take credit for it. For what success I’ve had, had more to do with the blessed opportunities given me, and the blood, sweat, and long, tiring devotion that my dad had put into his work. I’m just a storyteller relating his own special tale. My only regret is that my dad couldn’t have been here to share in the joy that the telling and sharing of them has brought me.

Every writer has his or her story to tell. It’s a journey that doesn’t start with fingers on a keyboard, but with the first breath taken in life. Experiences to me as a writer are what bricks are to a mason. I use them to build stories that I hope will leave a lasting impression on my reader’s minds.

 

For more celebrity posts by Tony Piazza go to:

www.authortonypiazza.com

 

 

To help the boys at The Boy’s Republic, and read more about my experiences meeting Steve McQueen:

www.bullittpoints.com

 

 

About the author:

Tony Piazza is aCentralCoastmystery writer, film historian, presenter, and a veteran storyteller well-known for his passion about writing and movies.

He is the author of three mystery novels, “Anything Short of Murder”, “The Curse of the Crimson Dragon,” and “A Murder Amongst Angels”  available in print and e-book format through Amazon and Barnes & Noble websites. Piazza’s non-fiction e- book, “Bullitt Points,” published through SansTree, provides a behind-the-scenes look at the making of the classic Steve McQueen movie “Bullitt” and the involvement of the Piazza family in the production.

Piazza worked regularly as an extra and stand-in on multiple Hollywood movies and television shows shot in San Francisco during the 1970′s, including “Towering Inferno,” “High Anxiety,” “Magnum Force,” and “Streets of San Francisco.”

His inventory of stories reads like a Who’s Who of Hollywood from that era: Clint Eastwood, Steve McQueen, Darren McGavin, Paul Newman, Karl Malden, Michael Douglas, Raymond Burr, Walter Matthau, Fred Astaire, Robert Vaughn and Leslie Nielsen.

Piazza is a member of Sisters in Crime and SLO Nightwriters.

 amongstangelsfront cover

Filed Under: Film and Television Tagged With: Alfred Hitchcock, Ann Margaret, Anything Short of Murder, Author Tony Piazza, Blake Edwards, Bullitt, Bullitt Points, Chad McQueen, Clint Eastwood, D.O.A., Dark Passage, Darren McGavin, Dashiell Hammett, Dirty Harry, Experiment in Terror, Family Plot, Fred Astaire, Glenn Ford, High Anxiety, Ironside, Karl Malden, Lee Remick, Leslie Nielsen, Magnum Force, Michael Douglas, Nick Charles, Once a Thief, Paul Newman, Richard Hatch, Robert Vaughn, Ross Martin, Sam Benedict, San Francisco, San Francisco Beat, Steve McQueen, The Boys Republic, The Curse of the Crimson Dragon, The Enforcer, The House on Telegraph Hill, The Lady from Shanghai, The Lineup, The Maltese Falcon, The Streets of San Francisco, The Thin Man, The Towering Inferno, Tony Piazza, Vertigo, Walter Matthau

Eastwood and Me by Tony Piazza

June 25, 2012 By tonypiazza 7 Comments

 “EASTWOOD AND ME” by Tony Piazza

 

“Good guy…that last one he shot was a good guy!”

  Eleven words… my claim to celebrity status; my fifteen minutes of fame which if you took a stop watch and measured would run well under that length of time. And although I would have many small screen appearances later on in “The Streets of San Francisco”, these few words to this day still gets me the most attention. Why? Because CLINT EASTWOOD films are both well known and greatly admired not only in theU.S., but also to audiences around the world. Therefore to be associated with a Clint Eastwood movie usually guarantees that an actor (even a minor one) will receive instant and lasting recognition.

 TCM ran a tribute to Clint Eastwood and it brought back memories of my experiences meeting and working with the man. He was very pleasant, soft spoken, down to earth, and charming with a subtle sense of humor. I met him first in 1971 when he was shooting “Dirty Harry”. I had gone down to North Beach (one of the film’s locations) to take a look at the “Harry” car which it was being arranged that I would purchase from Warner’s Transportation when the picture “wrapped”. It was to be my first car and owning a picture car drove by Clint Eastwood made it all the more exciting. He was very humble and polite when I met him, and I also remember being surprised at how tall he was- well over six feet. I subsequently went down to the set many times afterwards and brought high school friends and dates along. Needless to say I was very popular amongst my peers. I unfortunately didn’t get the car however- they needed it for a “pickup shot” on the Warner’s backlot and it got shipped back to Burbank, California.

 My mother and Clint Eastwood (1973). She also worked as an “extra”

In 1973, three years after becoming an “extra” I reported on the set of “Magnum Force”- Dirty Harry’s second appearance on screen.  I initially performed in the background in various roles-police officers mainly, but during one of the days that I had reported to work  I was approached by the Assistant Director, Al Silvani who told me that my agent had suggested me for a small speaking role as a Cadet in the film. I was of course ecstatic. I was given the few pages of script that contained my line and rehearsed ever variation of that piece of dialogue (see above) than you could imagine. Finally the day came and I reported to the police firing range to do my scene in the picture. I was in good company – getting to hang out with ROBERT URICH, DAVID SOUL, TIM MATHESON, and KIP NIVEN all day (actually two days- it took that long to film!). They were a fun group… and I remember Urich doing impersonations of various celebrities like Ed Sullivan and etc. He kept us in stitches. TED POST was the director and I was able to cinch my bit in two takes. Of course Clint Eastwood, HAL HOLBROOK, and JOHN MITCHUM were also there. It was a memorable event.

 The last time I got to work with Eastwood was in 1976 on his third outing as “Harry” in the “The Enforcer.” I was at the Hall of Justice – this time as an “extra”. Perhaps I was feeling shy- or maybe I figured he wouldn’t remember me because (after all) it had been three years since I last saw him- or I thought he was a big actor now and too busy for me- but in any case I felt uncomfortable to re-introduce myself and so didn’t bother to go up to him that day. However as they were setting up I happen to glance over in his direction and he made a point to single me out and nod a greeting of acknowledgement. I thought that was pretty cool-especially since now he was a bonafide mega star! But, you know in hind sight, I shouldn’t have been surprised- that is Clint Eastwood. He never saw himself as a “star”- he has always been unpretentious in that way. One incident to drive this point home occurred during the filming of “Dirty Harry”. My father worked in his usual capacity on that film and both he and Eastwood had the same birthday, May 31st. The crew decided to get a cake for my Dad and presented it to him at lunch. One problem- they forgot it was also Clint Eastwood’s birthday as well.  Well, could you imagine what the results would have been if this happened to another big actor with a matching ego? Not Clint, he wished my Father a “Happy Birthday” and enjoyed some of his cake.

 Hal Holbrook and my mother in-between shooting at the police range. She was in the audience.

Well, that’s my two cents for what its’ worth regarding my time spent with Clint Eastwood. Great memories of a great guy and certainly worth the honor TCM has given him. Of course, knowing him, he probably thought it was a lot to do about nothing.

                                    —————————————————–

Tony Piazza is author of the 1930s Hollywood murder mystery novel, “Anything Short of Murder,” which had its roots on the TCM fan website. His next novel, “The Curse of the Crimson Dragon” was released early 2012 and is now available on Amazon and Barnes & Noble websites. He was an actor/extra during the 1970s and worked with such legends as Steve McQueen, Paul Newman, and Karl Malden.  His non-fiction e-book “Bullitt Points” is an in depth look at the making of “Bullitt” from a person who was there. Look for it where fine books are sold, or at the link posted below. All profits goes to the Boys Republic charity.

 www.bullittpoints.com.

Filed Under: Film and Television Tagged With: Anything Short of Murder, Bullitt Points, Clint Eastwood, David Soul, Dirty Harry, Hal Holbrook, John Mitchum, Kip Niven, Magnum Force, Robert Urich, Ted Post, The Curse of the Crimson Dragon, The Enforcer, The Streets of San Francisco, Tim Matheson, Tony Piazza

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