WORKING WITH A LEGEND by Tony Piazza
I was watching a young Fred Astaire in “Top Hat” on DVD last night and thought back to the summer I worked with him during the “autumn” of his life in 1973. It was during the shoot of Irwin Allen’s “Towering Inferno” at San Francisco’s Hyatt Regency Hotel that I first met and worked with this real Hollywood legend. Of course you would not have thought so to see him. He wasn’t surrounded by a large entourage of staff or masses of fawning autograph seeking fans… just a small, but fit, elderly man, extremely modest in personality and pretty much of a reserved character. While crowds were recognizing Steve McQueen and Paul Newman, Mr. Astaire could pretty much blend into the crowd without attracting too much attention. It was kind of sad, but again, I had a feeling that he preferred it that way. He had more than his share of attention during Hollywood’s golden era and now he seemed extremely satisfied just being a private person, doing his job, and moving on with life.
Jennifer Jones and Fred Astaire (from Towering Inferno)
I watched him at a polite distance, as he waited for his cue to step onto the escalator that would carry him up into the massive hotel lobby which doubled as the atrium of the film’s tower. As he waited, he was just perceptibly tapping his feet, keeping time to the music coming over the hotel’s Muzak system. I can’t recall the tune, but it was a classic that could have easily been introduced in one of his musicals. He seemed content, moving his feet, mentally creating some dance routine that would have been the rave of earlier movie audiences, but alas was replaced by exploding buildings and machine gun fire.
I was working on two films at that time- it was a busy San Francisco when it came to movie productions that year. I spent the morning to late afternoon on “The Streets of San Francisco” television show and then went over to the “Towering Inferno” location from evening to the next morning. I literally worked around the clock. My family was also heavily involved. My Mother was one of the couple that comes up ahead of Mr. Astaire in the escalator scene. If you view it, look for the woman with the blue pant suit and her hair worn up, standing next to a male “extra” that is supposed to be her companion. It is always great to see her young and smiling again each time I view the film- she passed on about ten years ago.
My Mother was from Mr.Astaire’s era, perhaps just a little later, and was very impressed by his approachability and humbleness. This was demonstrated when my father visited the set. My Dad was assigned to “The Streets of San Francisco” as location liaison, but came to visit her on the “Towering Inferno” after he had completed his days’ work. Mr. Astaire was standing close by when my father came up to greet her, and without a thought my mother introduced the two. She said, “Mr. Astaire this is my husband” whereupon he very graciously shook hands and they exchange some polite conversation. I have known some smaller actors (who are legends in their own minds) whereas that could never happen- but Mr.Astaire, always the gentleman, responded politely even though he had not really known them from Adam. That scores some big points, coming from a fan’s perspective!
Mr. Astaire certainly lived up to all he portrayed on the silver screen- as evidenced by this experience, and made him all the more enjoyable while watching him last night glide across the dance floor with Ginger in his arms. That certainly was a class act, performed by a truly classy individual!
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Just as an aside: The lovely actress, Jennifer Jones was also in the film. I stood next to her during production. Here was a performer that had put her mark on Hollywood during its bygone era of lavish Selznick productions. “The Song of Bernadette” (1943), “Duel in the Sun” (1946), and “Portrait of Jenny” (1948) are just a sample of the productions this talented actress starred in. She achieved many accomplishments in her life, but her greatest was winning the Academy Award for Best Actress in 1943 ( “The Song of Bernadette”) which cemented her career. She was married to actor Robert Walker, and then later to David O. Selznick. She had one son, Robert Walker Jr., who I also happened to work with on “The Streets of San Francisco”. She too is legendary, and unfortunately also overlooked as Mr. Astaire was during the filming. She wandered bright-eyed, caught up by the excitement of working again in a big 2oth Century Fox film, not noticing that not one eye was cast in her direction as she passed unnoticed through the midst of the crowd. I was watching however, and was still awed by her beauty and apparent charm.
Another aside: A website dedicated to all things “Towering Inferno” captured my mother and myself in a photo from the production. Here are the links where they can be found:
Tony Piazza, as a cop:
http://www.iann.net/movies/towering_inferno/cast/tony_piazza.htm
Virginia Piazza, on the escalator:
http://www.iann.net/movies/towering_inferno/cast/virginia_piazza.htm
A bit blurry because they captured it from the film, but recognizable.
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Tony Piazza (Courtesy of Charlotte Alexander)
Tony Piazza is author of the 1930s Hollywood murder mystery novel, “Anything Short of Murder,” which had its roots on the TCM fan website. His second novel, “The Curse of the Crimson Dragon” was published next in early 2012, and in November of 2013 his second Tom Logan Mystery, “A Murder Amongst Angels was released.” In July of 2015 his latest Logan mystery, “Murder Is Such Sweet Revenge” was made available for purchase, and has since been an instant bestseller. All are available on Amazon and Barnes & Noble websites. He was an actor/extra during the 1970s and worked with such legends as Steve McQueen, Paul Newman, and Karl Malden. His non-fiction e-book “Bullitt Points” is an in depth look at the making of “Bullitt” from a person who was there. Look for it on Amazon and Barnes and Noble websites, or at the link posted below. All profits go to the Boys Republic charity: www.bullittpoints.com.
Tony Piazza is a member of Mystery Writers of America, Sisters in Crime, and SLO NightWriters.
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Charles Castilla says
Hi Tony,
I worked at MGM in the late 70’s as a PA. I was also casted in small roles for television dramas and films.
While at MGM I was assigned to pick up Jennifer Jones and drive her to the Norton Simon Art Museum in Pasadena. I was very excited. As a kid I watched her films from the 40’s on television and I thought how incredibly beautiful and sexy she was.
I picked up Ms Jones at her Malibu beach home. Now, I’ve only been in LA a few months and I was not at all familiar with Pasadena. As I drove around looking for the street I could see Ms Jones getting a little frustrated and she finally said “You’re new here aren’t you”. I stopped the car and nervously turned to her and said “Yes, and I am sorry but I’m totally lost”. She looked at me with those incredible blue eyes and smiled, “OK, you’re only two blocks from the Norton”. She showed me the way and as I held the car door open for her, she tells me “Come on Charles, I want to introduce you to the person that you’ve kept waiting for me.” I was in big trouble now, I thought. We walked to the rear privet door of the Norton and standing there at the door was Cary Grant! White hair and looking like the star he is. She goes up to him with hugs and kisses and then introduces me as the fresh new kid in town who needs a compass. They both laugh and all I could say as I shook his hand is how honored I was to meet him. With a big smile and that wonderful slight accent he said he would send me compass and a map to the studio. That broke the ice.
It was a wonderful day for my. One that I would never forget.
All the best,
Charles
tonypiazza says
What a great story, Charles! I really enjoyed it. Thanks for sharing it. It’s getting to meet you and hear stories such as yours that makes social networking such a plus. Years ago, we could have never shared stories such as these in this way. Thank you.
Rodrigo says
Good afternoon Mr. Piazza:
My name is Rodrigo and I write from Brazil.
Nice site! I found it after seeing the first/great/rare picture above…
So, you had to do to this film? How lucky…
This production still touches me: I think if a new version of it would make nowadays_recent effects could be seen.
It seems that the film was based (too) in some fires that happened in my country (if you see the videos in YOUTUBE_will be shocked/feel awful).
One of my dreams would watch this production in the movies; sometimes still is on CABLE TV here. And it was made in the year I was born – you can know my age (lol).
This couple composed by JENNIFER JONES & FRED ASTAIRE was good. Sorry she had that shocking end there (I remember when I watched_I hoped when she was falling, she could grab/hold in any window: so naive!)…
I don´t need to mention that the last scene with the cast made me weep so much (even know I remember that I have tears in my eyes).
And a curious thing: the age these artists had (she was born in 1919 and he in 1899), around my grandparentes would have 2. I imagine one of the reasons I appreciate this actors.
That´s it. And sorry for the long text. But good for me.
Thank you,
Rodrigo Rosa
tonypiazza says
Thank you for writing, Rodrigo, and sharing your memories with me. I was very luck to be a part of “The Towering Inferno”, and work with all the wonderful, talented actors that had contributed so much to its success. Too many of these celebrities are gone now, but through the magic of film, thankfully they are still here for our enjoyment.Please keep checking in on my website from time to time…I still have many more stories to tell. Sincerely, Tony Piazza.
Rodrigo says
In the 7 line counting from the end… CAT_sorry!
Paul Fahey says
What great memories, Tony. I loved that your mom was able to meet and work with one of her movie idols. My mother was the same. Totally nuts over Fred. Mom was an Arthur Murray dance instructor at one time and did exhibition dancing. She always felt no one came close to Fred’s impeccable timing, sense of rhythm and class. I also loved your observation about him tapping his foot to elevator music. What a great memory.
tonypiazza says
Thank you, Paul. It’s funny, but normally you don’t think about someone being a legend when you meet them in person; but something clicked back then regarding Mr. Astaire’s legendary persona that has transcended with me all these years. I appreciate you reading and commenting.
James Ostmann says
Just a bit of trivia – Jennifer Jones starred in “The Song of Bernadette” as the peasant girl that saw a vision of the Virgin Mary.
Tony Piazza says
Hi James,
Thanks for reminding about that film. It was my mother’s favorite. Whenever I watch it, I think of her. It’s a measure of how great an actress Ms Jones really was…she can play a peasant girl convincingly in this film, and later a wild spirit equally as well in “Duel in the Sun.” I worked with her son, Robert Walker Jr. He was a guest star on “The Streets of San Francisco.” He favored his dad, in appearance. I appreciate you reading and commenting.
Best,
Tony